BBC film critic Jonathan Ross described 2012 as ‘insultingly lazy’. Nothing could be more accurate.

This apocalyptic tale is the latest effort from Ronald Emmerich, director of Independence Day, Godzilla and The Day After Tomorrow. As you may expect it is laden with special effects (the budget reportedly being around the $260 million mark).

Aside from the overwhelming feeling of deja-vu (The Day After Tomorrow), the key problem is that you cannot, at ANY point, take the story seriously. Particularly as the ‘script’ is riddled with cliché after cliché. The reluctant protagonist John Cusack is a prime example of a ‘disaster movie hero’, playing a (surprise surprise!) divorced writer alienated from his wife and daughter. There are many others however including: i) the seemingly mad hippy who turns out to be right about everything, ii) the pet dog who miraculously survives amongst all the destruction, iii) a surprisingly noble president (Danny Glover) who chooses to stay with the American people when the country is literally falling apart iv) an unlikable, odious politician (Oliver Platt) who eliminates anyone who is a potential threat v) a plane attempting to escape from the destruction that narrowly misses collapsing buildings vi) a man who, despite only having had a few flying lessons, ends up leading the crew to safety vii) an elderly grandfather wishing to make amends with his estranged son. 

The CGI, whilst certainly big and loud, is completely uninvolving and nothing you have not seen a dozen times before. By the time the first big set piece arrived I had already lost any sympathy for any of the characters.  

Attempts at humour seem horribly misjudged. Independence Day, despite all its flaws, had the advantage of being made before 9/11 and the tsunami. Additionally its theme of aliens and references to B-movies had a certain escapist quality. This time around however, making light of the end of the world seems strangely offensive, particularly as the so called ‘jokes’ (most notably a comically Russian businessman) are just not funny.

Events lead to a Poseidon-esque final which is meant to be suspenseful and exciting, however after having to endure the previous two and quarter hours (far too long!) I just stopped caring.  

Admittedly I did not have high hopes for this but 2012 turned out to be one of the few films actually worse than expected. The friends I was with certainly formed the same view.

The tagline for this film is “We Were Warned!” After reading this review I wish I had taken note.

Related articles

  • The Brit Awards 2010: Britain‘s Got No Talent: ...gave us The Wire and The Sopranos and, in exchange, we cast them both in Network 7 (remember that?). Jonathan Ross - usually a fairly safe bet when it comes to sartorial elegance - presented an award dressed like a chavvy twat which, at least, was his intention....
  • Baftas 2010: red carpet hits and misses.: ...watch this space for reviews!) but Sunday night saw the pre-Oscar film showdown, hosted as usual by Jonathan Ross at the Royal Opera House. I was particularly glad that Colin Firth won for the beautifully shot A Single Man, and loved Vanessa Redgrave getting...
  • Review: Percy Jackson and the Olympians: The Lightning Thief: ...of celebrity news… The Sharpener is now joined with Deadly Movies – the ultimate authority on horror movies – from shark attacks, to zombies and axe murderers! Very uplifting, we’re sure! Of...Edge of Darkness leaves edges unraveled:...Invictus - A worthy...